by Notzing

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Oniro is the second work that makes up the Oniro Cycle. It’s an exposition and essay about some lucid dreams and OBE the author had.

Although the person behind Notzing is a little bit skeptic with new age stuff, there was a stage during his life when he experimented with drugs like Ketamine, LSD and DMT.
These drugs and the altered states of consciousness he was drove to, let him to know how dreams smells, how dreams are listened in the music and how the dreams are feeling. A little bit difficult to explain. He never imagined that his mind could do that. Strictly focused to the brain reactions, he found amazing how the vision turns to fractal, how you are able to appear or dissapear, to enter into different rooms, tunnels and scenes and how the body experiment very similar dreams sensations.
These experiences involved even shared groupal hallucinations that let a door opened to the idea of diferent planes of existance in his imaginary.

Back from these life stories, Oniro is a work where production is blurry, ethereal, with a difuse structure. It’s a work to listen as a background or with headphones. It’s a work to smell it, to embrace it and to feel it, because it was made keeping in mind all these experiences.

The first act, is a trip itself with an introduction, conflict, climax and denouement.

The second act is more focused to the feelings, and smellings. The muddy bass and kick oscillate through a weird melody that comes and go.

The third act, it’s a loop, not evolving, with some background sounds and some sounds that appear in front of the listener. Two dimensions that reminds the point of view of a dream in first person, when the dreamer is being witness of a surrealistic scenario.

The fourth act has the same concept that the third act, but in a dark way. When dreams turns to nightmares. A background drone oscillates like the hum of a sleep paralysis or the N,N-Dimethyltryptamine taking off sensation


released August 15, 2017


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